![]() Something like a mystery that takes place in an elevator during a black and white soap opera that has clashed with a game show. These tunes are a massive mixture of whimsical, mysterious music with a light dusting of 60’s euro-classic. What your ears will hear are brilliant tunes. The music here more than obviously takes the formula that BioShock and BioShock 2 used for setting the scene. Now, with regards to the music, I have so much to say, but I’m not finding the exact words of how to describe it. Having great actors reading the lines made this game even more believable. The accents alone didn’t sell the reality alone. You could assume then that people came from everywhere to live Wellington Wells (the game’s location), but that nobody really sounds like they’re from there. I think that having so many different accents made the world seem more fleshed out. The accents run the gamut such as Received Pronunciation (RP), Cockney, Estuary, and so many more. They have so many different British accents in this game. However, what does stand out to me are the voice overs. There’s nothing that really stands out about this game in terms of the sound effects. So many so that this game, if you were to turn the music off, would sound pretty normal. Since this game is using a pseudo-alternate timeline of our own, it features many sounds you may recognize. However, we’ll start with the sound effects before we jump into the music. This title’s music is absolutely an alarmingly beautiful combination of many great things. Set in a drug-fuelled, retrofuturistic city in an alternative 1960s England, you’ll have to blend in with its other inhabitants, who have their own set of not-so-normal rules.’ Audio & Soundtrack: ‘We Happy Few is the tale of a plucky bunch of moderately terrible people trying to escape from a lifetime of cheerful denial.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |